Mahrukh is an artist whose work elegantly weaves together the rich traditions of the past with the innovative potential of contemporary art. Born and raised in Kenya, she developed a deep appreciation for the beauty of nature, intricate patterns, and the timeless elegance of traditional crafts, all of which continue to influence her artistic practice today.

Now based in London, Mahrukh has built a diverse portfolio that bridges both traditional and contemporary forms. She holds a Master’s degree in Visual and Islamic Art, earned with distinction from the Prince’s Foundation for Traditional Arts, and further honed her skills through an apprenticeship in Istanbul, where she studied Islamic manuscript illumination, Tezhip, under the guidance of a master artisan.

Central to her work is the use of geometry, which serves both as a visual language and a conceptual framework. Drawing inspiration from Islamic geometric design, Mahrukh incorporates geometric patterns as both a central feature and a structural foundation in her art. For her, geometry is more than a decorative tool—it is a way to explore balance, harmony, and the deep connections between the spiritual and material realms.

Mahrukh’s exploration of traditional book arts also brings a contemporary twist to ancient techniques, where her creative exploration of geometry and pattern breathes new life into ancient techniques. Her work has been exhibited widely in the UK and internationally, with pieces held in private and royal collections.

Continuously expanding her knowledge, Mahrukh remains deeply committed to the study and preservation of these ancient art forms while simultaneously embracing the possibilities of contemporary expression. She actively engages with global audiences through community outreach, workshops, and as a visiting tutor at the King’s Foundation School of Traditional Arts.